f r a n c e s c a    p a s t i n e
::section a of the new york times::



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While retaining the form of the newspaper, I dismantles the medium’s visual language by intervening with the content, either through blacking out, erasing, or cutting into the entire Section A. The end results heightens the materiality of the Times, both structurally and visually, allowing the viewer to have an open-ended interpretation of form and meaning.
blackout
redink




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